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Music Production and Engineering

"The big advantage of being here is to have the ability to try different types of technology—not only the latest one but the original ones at the same time. Not only the most expensive microphone but a cheap one and lots of them in between. The fact that I started my career in a third-world country and lived in another third-world country for several years gave me the perspective of being forced to work only with limited resources most of the time, trying to be creative with whatever you have, not whatever you would like to have."

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  • Alumnus, Berklee College of Music
  • Guitarist
  • Academy Award–winning sound designer
  • Motion picture and television credits include Braveheart; Beakman's World; Dr. Quinn, Medicine Woman; and The Adventures of Brisco County, Jr.

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"The ongoing goals for the Music Production and Engineering Department are centered in three critical areas: curriculum, faculty, and facilities. Every topic, class, and assignment has been evaluated for its relevance, emphasis, timing, and balance. And with 12 studios operating 22 hours per day, seven days per week, it is critical to maintain a state-of-the-art technical infrastructure."

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Demo in a Day

Jun 26
A music production workshop focused on accessible ...

Turntable Technique: The Art of the DJ

Jun 14
A presentation and performance by Berklee group, U...

Guerrilla Production Techniques: Mixing

Jun 12
Using the recording from the Guerrilla Production ...

Re:Generation, with Stephen Webber

Apr 23
Five DJs turn the tables on the history of music....

Jaime Woods

Jul 26
To singer-songwriter Jaime Woods, music is storyte...

Music Apps on the iPad: Michael Bierylo

Nov 17
Michael Bierylo will present an in-depth look into...

The Laptop as an Instrument: Performance Techniques with Ableton Live

Nov 8
Berklee faculty member Loudon Stearns leads an in-...

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